Living Through Paint(ing)

"Living Through Paint(ing)" by Richard Gorman is a reflective and visually engaging exploration of the artist's abstract and geometric painting style. The book is closely tied to a series of exhibitions held at venues including the Hugh Lane Gallery in Dublin, and the Museo d'Arte Contemporanea di Villa Croce and Museo d'Arte Orientale E. Chiossone in Genoa.

Gorman's work is characterized by his manipulation of colors, forms, and metaphors on canvas, often resulting in dynamic and sensuous pieces that appear to float and interact with one another. His paintings do not convey specific messages or stories; instead, they represent the artist’s ongoing process of creation and balance on a flat surface. Gorman emphasizes that a painting is a conflict with disorder, aiming for a precarious balance rather than a definitive meaning.

The book also highlights Gorman’s significant influence from his time in Japan, where he developed a deep appreciation for handmade rice paper, which he uses extensively in his work. This collaboration with Japanese paper-making traditions is evident in his pieces that combine modern abstract forms with traditional materials.

Overall, "Living Through Paint(ing)" provides insight into Gorman's immersive artistic approach, reflecting his commitment to exploring the boundaries of colour, form, and space in his paintings. The publication is accompanied by essays and critiques that delve into the themes and techniques present in his work, offering readers a comprehensive understanding of his artistic journey.